Alex Ram

To build an apocalypse scene start with: First stage of project is to find and refine source photos of destruction references connected with our subject ... search key word is destroyed, rubble, bombed and etc. you can find very nice pics for free, just look around! Now we select saved material and search useful areas of destruction on photos and composite it with our source. But first we must correct the perspective with standard transform tools in Photoshop like scale, rotate, skew and etc. Next step is to do a ground from green grass. This process its very easy to do, i use some changes in Hue and Saturation value and sharpness of image to expose mud. As you know in Net you can find very nice pics for free and composite them in to our image like this hole. Sometimes image not have only one element to composite, like this below shows the birds and clouds. In this case I use clouds to make smoke from factory shaft. This is the end stage of project with glass shattered window frame. Final Photoshop compositing have 32 different layers with various blending types. Almost whole work is done in Photoshop except, color correction and sun lens effect which I create in Eyeon Digital Fusion a full-featured, node-based compositing system with Knoll Light Factory plugin.Photo retouching is sometimes quite important to your photo. You can change your photo to black and white, take out some unwanted acne, fix a blurry line. Well, here are some instructions on how to sharpen your image. Start by opening your image Duplicate the background layer by pressing control+j. Press shift+control+u to desaturate the layer. Go to filter - thers - high pass and give these values, Radius of 0.4 pixels. Press control+l to open levels. Finally, change this layer's mode from normal to overlay. If you find excessive sharpening then reduce the opacity of this layer. You now have sharper image and it works on almost any image.Photo manipulations are really fun ways to change photos around and make them different in exciting ways. Textures are a huge part of photo manipulations. They can completely change a picture. You can download textures from many different texture websites. Textures are very helpful when making a dark piece. I will demonstrate how to use these effectively. First get a picture of someones face. Now I want you to apply a texture of a bumpy/jagged rock or rocks. Set it on hard light or vivid light (whichever looks best for you). Add some color changes and a bit more. Now with some color changes and more contrast and more black, it could turn out to be a really nice photo manipulation.It's time to introduce Adobes ExtendScript Toolkit which is the environment which you will work in to create scripts for Photoshop CS2. In this tutorial I will introduce Adobe ExtendScript Toolkit, reference documents that you will need when writing scripts and in the end I will guide you through a hello world program for Photoshop scripts. ExtendScript Toolkit. If you have Photoshop CS2 you probably already have the ExtendScript Toolkit, to test if you have it create a new file and name it test.jsx. When double-clicking the file ExtendScript Toolkit should open.From the murky depths of the deepest forests to the frosty desolation of the Siberian wilderness, camouflage is invaluable for breaking up the human silhouette, allowing stealthy approaches towards your prey. It is, however, also deceptively simple to make in Photoshop using only a couple of filters and a basic sense of style. Create a blank document of any size with a single active layer (this can be filled with anything you desire). Using the colour swatches, select #D0C577 as the foreground colour, and #BAAD4A as the background colour. Then choose Edit - Fill from the main menu and fill the background layer with the new BG colour. Now create that camouflage by selecting Filter - Artistic - Sponge, and running it with the following settings: Brush Size - 8; Definition - 25; Smoothness - 15; Repeat the filter a second time with exactly the same settings to bring out highlights. To smooth out the result, go to Filter - Noise - Median and enter a value of 3. And that's it! See, I said it was easy! Of course, at this point you can brighten things up a little with the Image - Adjust - Brightness / Contrast tools, and/or add a little cloth texture with Filter - Texture - Texturizer, but I'll leave that up to you... Of course, these colours wont work for every environment, so feel free to play around a little. Take a look below to see a few quick colour variations. Have fun experimenting.As with many applications, working in Photoshop can be made far easier and more efficient by using keyboard shortcuts.Ctrl/Cmd + Shift + N New layer Ctrl/Cmd + J Duplicate current layeR. Here are a few useful shortcuts: Ctrl/Cmd + [ Move layer downwards Ctrl/Cmd + ] Move layer upwards Ctrl/Cmd + E Merge linked layers Ctrl/Cmd + Shift + E Merge visible layers Ctrl/Cmd + A Select all Ctrl/Cmd + D Deselect Ctrl/Cmd + L Levels Ctrl/Cmd + Shift + L Auto levels Ctrl/Cmd + Shift + Alt + L Auto contrast Ctrl/Cmd + M Curves Ctrl/Cmd + I Invert colors Ctrl/Cmd + Z Undo Ctrl/Cmd + Alt + Z Step back in history Ctrl/Cmd + F Apply last used filter Ctrl/Cmd + Shift + X Liquify tool Ctrl/Cmd + Alt + Shift + X Pattern toolOur eyes can sometimes deceive us. Everyone's eyes see slightly different colors. One person will see a purple color, while another will see a blue. Those that are colorblind cannot distinguish some colors from another. While we see it to be a good skin tone, it may not be seen as one to someone else. Also, depending on the monitor that you own, you may see a different color than other computers. Making palettes straight from photos enhance more realistic, more accurate work. Also, these color palettes are used professionally. Those who work with color correction use this to help them with their vocations. Even the printing press use this. You can also take colors from the lips, eyes and hair to help with realistic color of those. You would use it the same way as you did for the skin. Finding the darkest, the mid tone, and the lightest before creating a palette to use.